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Winter Ethereal

4,7 4,7 z 5 gwiazdek Liczba ocen: 260

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Cena
Nowa od Używana od
Audio CD, 10 maja 2019
61,63 zł

Opis produktu

In progressive metal circles, the names of guitarist Jim Matheos and vocalist John Arch are spoken with due reverence. With the former having been a driving force in Fates Warning for thirty-five years, and the latter the original front-man of that band, they also have a single seminal work under the Arch / Matheos banner, 2011's Sympathetic Resonance. In 2019, they have reunited to follow that record up with Winter Ethereal, a more stylistically varied and perhaps deeper collection that explores a lot of sonic territory over the course of nine immersive tracks. While not a concept album, Arch asserts that "anyone who takes the time to read the lyrics will probably connect with a recurring theme touching on the mysterious weight or flight of human emotion that leaves us with more questions than answers." In the context of the title, rather than referring to the season, Winter was chosen for having "certain connotations sometimes associated with it, such as isolation, a withering to rebirth", and with Ethereal meaning "not of this world, or otherworldly", there came a "meaningful marriage between the two words that best summed up the theme of the album". For the most part, Arch's lyrics come as a reaction to the music Matheos presents him with, letting the thoughts and feelings evoked dictate the direction. Enjoying listeners making their own interpretation of his lyrics, he typically does not go into detail about specific tracks, but as an example of the direction he was drawn, he references "Pitch Black Prism" and the many influences that went into shaping it. One thing is certain, with Winter Ethereal, fans of Arch / Matheos will feel that the long wait endured for new music has been worth it.

Szczegóły produktu

  • Oryginalna data premiery ‏ : ‎ 2019
  • Wymiary produktu ‏ : ‎ 12,65 x 14,17 x 0,86 cm; 77,11 g
  • Etykieta ‏ : ‎ Metal Blade Records
  • ASIN ‏ : ‎ B07NRH6QFL
  • Liczba płyt ‏ : ‎ 1
  • Recenzje klientów:
    4,7 4,7 z 5 gwiazdek Liczba ocen: 260

Opinie o produkcie

4,7 na 5 gwiazdek
4,7 na 5
260 ocen globalnych

Najlepsze opinie o produkcie z Polski

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Przetłumacz wszystkie opinie na język polski
amedeo
5,0 z 5 gwiazdek ok
Opinia napisana we Włoszech dnia 28 marca 2023
Tutto perfetto.
Gis A. Bun
5,0 z 5 gwiazdek Harder than the debut?
Opinia napisana w Kanadzie dnia 15 listopada 2019
After an absence of 8 years Arch & Matheos [both formerly of Fates Warning] return with a progressive metal album that probably is even harder than the debut.
Standout tracks include the opening track Vermillion Moons as well as Tethered. Very few musicians appeared on most of the tracks [other than Arch and Matheos]. So you get as bunch of bassists and drummers helping out, for example.
Like the cover, the artwork in the packaging [including the booklet] is dark.
Ricardo
5,0 z 5 gwiazdek Wordless!
Opinia napisana w Meksyku dnia 15 lipca 2019
Amazing album!
JSwank
5,0 z 5 gwiazdek A Pleasant Shade of Winter
Opinia napisana w Stanach Zjednoczonych dnia 17 maja 2019
It has been quite a few years since this duo’s prog metal debut in 2011 with the brilliant Sympathetic Resonance. That album was densely technical, with some melody intermixed. This time around these guys seem a bit more focused on melody, and while many of the songs still feature instrumental muscle, I think there is a purposeful effort to emphasize John Arch’s voice. And there are now quite a few musicians involved as well. No less than 5 drummers contribute performances here, including some greats like Thomas Lang and Mark Zonder, along with the original Arch/Matheos drummer Bobby Jarzombek. Additionally, Joey Vera, Steve Di Giorgio, Sean Malone and Jo Dibiase contribute on bass guitar. Even Frank Aresti (never one to completely leave the Fates Waring fold) lends a few solos. The end result is a more diverse, yet completely immersive, collection of melodic prog/power metal songs. John Arch doesn’t sound as if he has aged since 1985, his distinctive tone and phrasing a “love it or leave it” phenomenon. And since this music is very lyrically dense, fans of Arch will likely embrace this material, whereas those not accustomed or averse to his style will likely want to pass.

Musically, don’t expect the full-on progressive metal/technical metal assault found on songs like “Neurotically Wired” from the debut. On the other hand, while not as initially assaulting on the senses, these songs seem to expand in vastness and greatness upon repeated listens. At 68 minutes in duration, Winter Ethereal features a ton of music – this will take some time and endurance to fully appreciate. But in the end, I think the investment in time is quite rewarding. My initial impression was somewhat nonplussed – probably because of the bias I held over from the debut – but with time I’ve come to really appreciate the beauty and melody built into these songs. Ethereal indeed.

The album opens with the smooth and lush “Vermilion Moons,” a song which does not betray the melody for the sake of crushing rhythm and metal. Nevertheless, there are these subtle tones, vocal phrasings and guitar riffs that mysteriously hearken back to the 80’s Arch-driven Fates Warning. The open middle section, in essence, becomes an Arch vocal solo. This is a bold move for an opening track, but it sets the tone and tenor for the rest of the album. Lang’s drumming keeps things engaging and intense as the song refuels for the outro. “Wanderlust” follows with plenty of melodic bliss – definitely the most accessible, melodic and “commercial” song of the set. But the dynamic contrast in this song plays to the strengths of Mark Zonder’s drumming style, and Vera’s bass guitar shines through in multiple sections giving this song a distinctive groove. “Wrath of the Universe” is the other highlight for me from the first half of the album. This song has plenty of pace and punch – akin to the debut material – and remains engaging throughout its 8 minute duration. Jarzombek’s speedy and precise drumming combines with Matheos’ slick fretwork to wow on the technical level.

The second half of the album opens with “Tethered, which turns out to be a hidden gem in the midst of this metal storm. I love the acoustic, more subdued, intro, which progresses nicely into a low-tempo prog rocker with Floydian overtones. This song features the better melodic qualities of Arch’s voice. “Straight and Narrow” feels as if it was cut from the fabric of the debut – plenty of pace and technical brilliance on drums, an up-tempo number with pace and punch. Great riffs, solos and some very wise lyrics. “Pitch Black Prism” has the Fates Warning (more recent) vibe with very noteworthy bass guitar undertones throughout courtesy of Sean Malone. And for fans of early FW, the highlight moment in “Never In Your Hand” would be the trading guitar solos with Matheos and Aresti from the 4 to 6 minute mark! The album closes out with the 13 minute “Kindred Spirits,” a song that nicely encompasses the musical and lyrical essence and trajectory of Winter Ethereal.

The CD is presented in digipak format with 24-page booklet replete with lyrics, artwork, photography, pictures and credits. Winter Ethereal may be coming at you in the spring/early summer, but it’s a cool (and worthy) successor to Sympathetic Resonance – not quite as technically dense or heavy, yet more diverse and melodic.
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Jörg F.
5,0 z 5 gwiazdek Was für ein Brett!
Opinia napisana w Niemczech dnia 15 maja 2020
Ich war nie ein großer Fan von John Arch und schon gar nicht zu seinen Fates-Warning-Zeiten. Im Gegensatz zumindest zur schreibenden Presse, von denen viele deren Album "Awaken the Guardian" als bestes (Prog-)Metal-Album aller Zeiten bezeichnen, konnte es bei mir nie diesen Status haben, wegen des Gesangs von John Arch, den ich regelrecht als anstrengend empfunden habe.

Aber - der Mann (oder die Stimme) hat sich entwickelt und John und sein kongenialer Partner Jim Matheos brennen hier ein Feuerwerk des Progressive Metals ab, das seinesgleichen sucht.

Von der ersten bis zur letzten Note ist dieses Album einfach nur stark und ist für mich das beste Metal-Album 2019. Von den neuen Songs des Albums mit ingesamt fast 70 Minuten Spielzeit stechen für mich der Opener und der letzte Track (13 Minuten!) heraus, aber es gibt überhaupt keinen Schwachpunkt.

Natürlich muss man sich trotzdem an den Stil von John Arch und den Stil der Songs mit sehr prägendem Gesang gewöhnen. Längere Phasen ohne Gesang gibt es, im Gegensatz zu den meisten anderen progressiven Bands hier kaum, jeder Song besitzt einen sehr prägnanten Anteil von Gesang.

Wer das letzte Fates-Warning-Album ("Theories of Flight") schon gut fand, kann hier bedenkenlos zugreifen. Jim Matheos scheint gerade seinen zweiten Frühling als Musiker zu erleben.

Eine absolute Kaufempfehlung.
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